Return to Content How to write fantasy series: How to write fantasy series: Know your genre An important part of writing in any genre is knowing a little about its history. Our oldest literature is fantasy fiction.
Below are ten kernels of wisdom that could help budding authors write their own fantasy saga. You currently have characters — we have a budget for six. I could write something huge with all the characters I wanted, with battles, dragons and immense settings. It begins very small with everybody apart from Daenerys in the castle of Winterfell.
Well that would only cover the European theatre, not the Pacific. Do you make Hitler a point-of-view character to show the other side? What about the Japanese or Italy? Roosevelt, Mussolini, Eisenhower — all these characters have a unique viewpoint that presents something huge in Word War 2.
The War of the Roses was one of the major influences, which had the Yorks and the Lancasters instead of the Starks and the Lannisters. But I like to mix and match and help writing a fantasy novel tips things around.
As the famous saying goes; stealing from one source is plagiarism but stealing from lots of sources is research!
On believable POVs Ultimately all of us are alone in the universe — the only person we ever really know deeply is ourselves. Some of it can be resolved by talking to real people.
I had a correspondence with a fan when I was writing the first and second book who was a paraplegic. He gave me a lot of valuable insight on how to write Bran and what it would be like to be in that situation.
While these things certainly make a difference, all human beings in all cultures throughout history have wanted success and love and a certain prosperity and to eat and not be killed. These are pretty basic things that motivate all people and I try to keep that in mind when writing any character.
Linda left the show after the second season to pursue a movie career, so we decided to write the character out instead of recasting her, because that was more dramatic. We had the character killed off and this led to a huge fight with the network. We wanted to spend a whole episode where the character is buried and everyone spends 60 minutes weeping and grieving and sharing their memories of her.
We kind of won the battle but we lost the war. We presented the episode and it was very powerful. I think our hardcore viewership watched it, wept copious tears and then never watched the show again!
That said, it does make for more powerful storytelling. Presenting not just death, but grief is important. Violence should have consequences — so spare nothing! You should present it honestly in all its ugliness and horror. Medieval battles were exceptionally bloody; people were striking each other with large, very sharp pieces of metal that hacked off limbs and left devastating, hideous injuries.
At the Battle of Hastings there are contemporary reports of screens of blood. I like to show the believable aftereffects of war, such as the maimed man who lived afterwards. When I approached [the producers] about this, they explained to me that unlike my book characters, the actors expect to be paid money!
One of the things that drives me crazy is the externalisation of evil, where evil comes from the "Dark Lord" who sits in his dark palace with his dark minions who all wear black and are very ugly. In simplistic fantasy, the wars are always fully justified — you have the forces of light fighting a dark horde who want to spread evil over the earth.
But real history is more complex. Then you have the Hundred Year War, which was basically a family quarrel that caused entire generations to be slaughtered. So I try to show that in my writing.
On creating "grey" characters Grey characters have always interested me the most and I think the world is full of them. You could pick the most extreme examples — Hitler famously loved dogs.
Conversely you can read stories about all the saints from Catholic history and Mother Theresa or Ghandi and you can find things about them that were flawed or questionable actions that they undertook. I think understanding that is how you create characters that really have some depth to them.
Juggling lots of characters takes skill — and luck I do sometimes wonder if it will be possible to tie up all the loose threads in my saga. I have nightmares when I think about wrapping everything up in the last two books.
Sometimes these damn characters have a mind of their own and refuse to do what I want them to do. Winter is coming Valar morghulis — all men must die.Nov 30, · Reader Approved How to Write a Credible Fantasy Story. Five Methods: Writing Help Establishing Your Setting Making the Rules Defining Characters Writing the Story Community Q&A Do you want to write a fantasy novel, but want to make it credible, original, and distinct?88%().
20 Writing Tips from Fiction Authors. Writing success boils down to hard work, imagination and passion—and then some more hard work. iUniverse Publishing fires up your creative spirit with 20 writing tips from 12 bestselling fiction authors. The “portal fantasy” is a mainstay in both science fiction and fantasy, even though it’s mostly used in the latter.
(You could argue that Hitchhiker’s Guide is a “portal fantasy.”). Below are ten kernels of wisdom that could help budding authors write their own fantasy saga. Top 10 Fantasy Writing Tips From 'Game Of Thrones' Author George R.R. Martin A Game Of Thrones. Nov 30, · How to Write a Credible Fantasy Story.
In this Article: Writing Help Establishing Your Setting Making the Rules Defining Characters Writing the Story Community Q&A. Do you want to write a fantasy novel, but want to make it credible, original, and distinct?
It can be tricky to write fantasy, as you're starting in a world of your own%(). How to write fantasy series: Do’s and Don’ts Fantasy series such as George R. R. Martin’s A Song of Ice and Fire and Rowling’s bestselling Harry Potter series still win over new generations of fans.